Не знаю, про "подводить базу", но тут народ и правда озадачился тем, что "играет с шулерами". (да, не первый раз в истории, и вообще, мы живем в мире, где у Браунинга нет золота ОИ, у Торвилл и Дина оно одно и т.д, так что не конец света ....)

Поэтому опять поиграю в веселые картинки, ну чтобы не потерялось для истории (и раз меня попросили). Говорю сразу, картинки не мои, вытекло из обсуждения на одном форуме для фанов В-М, это просто желание определиться что и где, ну и как:


(по правилам, тут должно быть видно чистое внут. ребро, и? )

Плоское, не наруж. ребро в ки-поинте, это ливел слететь должен по мануалу, но....




вот тут в ки-поинте должно быть левое наруж., где?



Теперь смотрим на более интересные ракурсы и сами делаем выводы:









Слушайте, тут Холмсом не надо быть, честно.

Ну и вот за этот рассинхрон и неаккуратность



(нет, это не с ФГП, но факт, что за это стоит в протоколах.+3 ГОЕ ха-ха)


Так что...а знаете что, я надеюсь на ту самую поварешку астральную, каждый получит, не на льду так по жизни. А судьи, как мы знаем, пьют наливочку, боятся и пьют , а по ночам к ним приходит не только Стойко, но и Дин, он может, он- инопланетянин .

Криса и Джейн позвали в специальный выпуск Strictly Come Dancing (посвященный сбору средств для фонда BBC- Children in Need )

На лице Криса написано всё, что он имеет сказать по поводу внезапного возвращения своей бальной юности.

запись создана: 05.11.2013 в 14:10

Эрл и Рамин и Мелисса О'Нил были в Studio Q (помните, где сделали то эпическое интервью с Тессой и Скоттом?)

www.cbc.ca/q/blog/2013/10/29/les-miserables-tor...



Ramin Karimloo: I love how one thinks they’ve out done the other. Like children. @EarlCarpenter @Mel13Oneil

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Last year's world championships were held in Virtue and Moir's hometown of London, Ontario, but the Americans spoiled their homecoming. Not only did Davis and White win the title, but the margin (4.52 points) between the two teams was the largest it had been at worlds since Vancouver, and the Americans' programs showed a level of sophistication the Canadians simply could not match

www.charlotteobserver.com/2013/10/17/4394825/da...

Да-да, уровень сложности и утонченности, которому Тесса и Скотт не соответствуют, вот так. А родная канадская пресса пусть дальше печатает статьи о "друзьях", прекрасно.

Ой, смотрите, что появилось на ютьюб

"Sometimes we say that the beginning of this program is sort of picking up where the end of Mahler left of.

Вот пока там некоторые уже раздали медали и меряются ослоумием по поводу Малера-2, да и вообще царит doom and gloom, я просто хочу тоже сказать им спасибо в ответ: этой программой вы показали то, какие вы есть, что вас связывает и что вы делали в танцах. Спасибо за красоту, и что так много дали моему любимому виду фк, даже если вы и дятлы, и даже если позволили себе не бороться и не пытаться уйти от Марины и "друзей"- вы всё равно прекрасны.



ОИ - это очень особенное мероприятие, может быть всё, буквально. И я слишком хорошо помню, ЧТО говорили про Малера и Фламенко в тот цикл. Удачного им финала и Go Canada!

www.broadwayworld.com/westend/article/BWW-Inter...

Earl took a few minutes to chat with BWW about the unique experience of being one of the only UK imports in this largely Canadian cast, what his first few weeks in Toronto have been like and what it's like working with Ramin Karimloo again:

-This is your first time performing in the city and also in Canada - what's been the best part of the experience so far?

So far it's been the coffee shops! I'm a huge fan of the independent coffee merchant so I've enjoyed exploring the many that are scattered around everywhere. It's also provided a great perspective of the city. The last time I was in Toronto was in 1992, so things have changed dramatically.

-Were there any major culture shocks when you first came over here?

Ha! Realising that your doors work differently to ours back in the UK. Please don't laugh, although I do everytime I completely stack it in many of your stores as I seem to have come from the 'school of the gifted' when opening doors. It's true, the default is to pull here where as ours are push.

-You have a long history with Les Miserables and have tackled the role of Javert before (as well as other roles) - have you become a bit of a mentor for the rest of the cast?

The only thing I seem to be mentoring the cast on is our delightful british skill of 'sarcasm'.

-Nothing wrong with that! You've performed with Ramin in concert at the O2 but ) the two of you never played opposite each other as Javert/Valjean. How has the rehearsal process been for you? Is it nice to have a familiar face on the barricades?

Well, we performed opposite each other in The Phantom of the Opera at Her Majesty's Theatre in London's West End. Ramin was Raoul and I was the Phantom. This was back in 2006 so it is indeed nice to have a familiar face around. I think we both came here not really knowing anyone in the cast but it's also been great to catch up and to chat about this show with him.

-Another role you're very well known for is playing The Phantom in The Phantom of the Opera, which is a role many men who've played Valjean have often played. Have you ever thought about switching things up and tackling Valjean instead of Javert? Perhaps we can see a reverse 'Confrontation' between you and Ramin?

Have you been eavesdropping? We have talked about this and discussed a role swap - it would be fun - but impossible of course. It has been something I've often pondered but I'm not entirely sure I have the voice for Valjean, you do need more of a 'tenor' voice to comfortably sing and sustain the number performances we do. Who knows though, maybe one day?

-You've been in at least two high profile shows which have been associated with a certain level of 'super fandom' - have you encountered a lot of super fans and what has your general experience with them been?

I'm not someone who gets too enveloped with this side of the business. I try, without being rude, to keep a distance as I believe it's more to do with the roles and shows we're involved with that attract the attention. I'd rather keep it like that too. At the end of the day (no pun intended) I try and just be a jobbing actor striving for longevity rather then pursuing PR status. I've done ok so far without it. But it's great to know that these show have an amazing fan base. It's no surprise - they're amazing shows!

-As you may know, Les Miserables is a show which is near and dear to the hearts of many Torontonians. For those who might be concerned about the 'changes' being made in this new 25th Anniversary production, what would be the number one reason you would tell them to come and see the show?

At the heart of this new production is 'Victor Hugo', more so than the original. Unbeknown to many he was an incredible artist and our designers have taken his paintings and used them to inspire the design of this piece in a way that gives you a real sense of novel and its writer. His paintings are used throughout and with extraordinary effect in this production create an ambience that propels us into the world that is truly Les Miserables. Then add the incredible music from Alain and Claude-Michel and you have something very exciting. I still love the original production as it has a very special place in my heart but this one is exciting and visually stimulated in its own right and I do believe any genuine stalwart fan of the original work will still get affected by this incredible story.

Здесь должен был бы быть какой-то комментарий, но не будет

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Или вам сюда : www.citynews.ca/2013/09/16/les-miserables-retur...

Эрл и Рамин прекрасны, Рамин- БОРОДА, ага. Правильно, зачем работа гримерам- сами отрастим такое безобразие. Но в аэропорту ему точно придется объясняться

большое фото Тессы и Скотта